{"id":12488,"date":"2021-06-17T11:22:47","date_gmt":"2021-06-17T15:22:47","guid":{"rendered":"https:\/\/centaurtheatre.com\/?p=9482"},"modified":"2021-06-17T11:22:47","modified_gmt":"2021-06-17T15:22:47","slug":"osler-vise-10-k-en-10-jours","status":"publish","type":"post","link":"https:\/\/centaurtheatre.com\/fr\/osler-vise-10-k-en-10-jours\/","title":{"rendered":"Osler vise 10 K $ en 10 jours!"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">Depuis 2007, le bureau d\u2019avocats canadien<a href=\"https:\/\/www.osler.com\/fr\/accueil\"> Osler, Hoskin &amp; Harcourt LLP<\/a> a commandit\u00e9 dix de nos plus grandes productions. Aujourd\u2019hui, Osler souhaite soutenir la reprise des activit\u00e9s en salle du Centaur par l\u2019entremise de la campagne <strong>10 000 $ en 10 jours<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2019\/05\/Osler-Red-close-crop.png\" alt=\"\" class=\"wp-image-2292\"\/><\/figure><\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Osler \u00e9galera tous les dons faits entre le 18 et le 27 juin jusqu\u2019\u00e0 concurrence de 10 000 $. De plus, avec chaque dollar donn\u00e9 en juin, le Centaur court une chance de gagner 20 000 $ lors du<a href=\"https:\/\/www.canadahelps.org\/en\/givingchallenge\/\" target=\"_blank\" rel=\"noreferrer noopener\"> Grand d\u00e9fi caritatif canadien<\/a> de l\u2019organisme CanaDon.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La premi\u00e8re association d\u2019Osler avec le Centaur allait de soi : la pi\u00e8ce <strong><em>Trying<\/em><\/strong> de Joanna McClelland Glass au sujet Francis Biddle, juge au proc\u00e8s de Nuremberg et procureur g\u00e9n\u00e9ral des \u00c9tats-Unis. (Image : Trying de Joanna McClelland Glass. St\u00e9phanie Breton et Frank Moore. Photo : Yannick MacDonald, 2007)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/centaurtheatre.com\/fr\/donate-form\/\" target=\"_blank\" rel=\"noreferrer noopener\">DONATE<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:22px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Depuis, Osler a parrain\u00e9 quelques-unes des meilleures productions du Centaur et la firme a le don de choisir des gagnants!<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/McGarrigles_4_Trent-Pardy_Andrew-Shaver_Amelia-Sargisson_Lucinda-Davis_photo-by-Andree-Lanthier_lo-res.jpg\" alt=\"\" data-id=\"9291\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/McGarrigles_4_Trent-Pardy_Andrew-Shaver_Amelia-Sargisson_Lucinda-Davis_photo-by-Andree-Lanthier_lo-res.jpg\" data-link=\"https:\/\/centaurtheatre.com\/?attachment_id=9291\" class=\"wp-image-9291\"\/><figcaption class=\"blocks-gallery-item__caption\">The 39 Steps, 2017<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/Copy-of-5\u00a9Andre\u0301eLanthier_Daniel-Brochu-Julia-Juhas-1024x684.jpg\" alt=\"\" data-id=\"9293\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/Copy-of-5\u00a9Andre\u0301eLanthier_Daniel-Brochu-Julia-Juhas-scaled.jpg\" data-link=\"https:\/\/centaurtheatre.com\/?attachment_id=9293\" class=\"wp-image-9293\"\/><figcaption class=\"blocks-gallery-item__caption\">Last Night At the Gayety, 2016<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/Copy-of-2_The-Syringa-Tree_Caroline-Cave_-Photo-Yannick-MacDonald-1-1.png\" alt=\"\" data-id=\"9295\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/Copy-of-2_The-Syringa-Tree_Caroline-Cave_-Photo-Yannick-MacDonald-1-1.png\" data-link=\"https:\/\/centaurtheatre.com\/?attachment_id=9295\" class=\"wp-image-9295\"\/><figcaption class=\"blocks-gallery-item__caption\"><em>The Syringa Tree<\/em>, 2007<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Les pi\u00e8ces commandit\u00e9es par Osler comme la divertissante <strong><em>Last Night at the Gayety<\/em><\/strong> de Rick Blue et George Bowser, l\u2019adaptation de <strong><em>The 39 Steps<\/em><\/strong> de Patrick Barlow, et <strong><em>The Syringa Tree<\/em><\/strong>, succ\u00e8s international sud-africain de Pamela Gien empreint de beaut\u00e9 et d\u2019\u00e9motion, s\u2019inscrivent dans sa tradition longue de 150 ans d\u2019implication dans son milieu, une tradition qui s\u2019harmonise avec les aspirations du Centaur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Au premier coup d\u2019\u0153il, il est facile de comprendre pourquoi le courant passe entre Osler et le Centaur. Les deux institutions ont \u00e9t\u00e9 fond\u00e9es par des visionnaires.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/5_The-Last-Wife_Robert-Persichini-and-Diana-Donnelly-photo-Andree-Lanthier-1024x684.jpg\" alt=\"Henry VIII and Katharine Parr in modern costume stand over unfurled map.\" class=\"wp-image-9328\"\/><figcaption>Antoine Yared, Robert Persichini et Diana Donnelly dans <em>The Last Wife<\/em>. Photo Andr\u00e9e Lanthier, 2019<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Les normes et id\u00e9aux \u00e9lev\u00e9s qui les animent se refl\u00e8tent dans le travail impressionnant qu\u2019elles accomplissent. Par exemple, Osler a \u00e9t\u00e9 le premier grand cabinet d\u2019avocats canadien \u00e0 compter une femme parmi ses associ\u00e9s, bien avant le mouvement f\u00e9ministe de 1968. Il n\u2019est donc pas \u00e9tonnant que la firme ait choisi de parrainer <strong><em>The Last Wife<\/em><\/strong> de Kate Hennig, une chronique de l\u2019influence de Katherine Parr sur la lign\u00e9e f\u00e9minine des Tudor, lors de la saison qui a c\u00e9l\u00e9br\u00e9 notre 50<sup>e<\/sup> anniversaire.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/2-ABV-Diane-Brown-and-Colleen-Wheeler-\u00a9Tim-Matheson-683x1024.jpg\" alt=\"\" data-id=\"9330\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/2-ABV-Diane-Brown-and-Colleen-Wheeler-\u00a9Tim-Matheson.jpg\" data-link=\"https:\/\/centaurtheatre.com\/?attachment_id=9330\" class=\"wp-image-9330\"\/><figcaption class=\"blocks-gallery-item__caption\">A Beautiful View de Daniel MacIvor, 2011. Diane Brown et Colleen Wheeler. Photo Tim Matheson.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/\u00a9lucetg\u00a9com_inabsentia-JADE-HASSOUNE_JILLIAN-FARGEY-SUSAN-GLOVER-JADE-HASSOUNE-PAUL-HOPKINS-and-CARLO-MESTRONI-05-683x1024.jpg\" alt=\"\" data-id=\"9332\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/\u00a9lucetg\u00a9com_inabsentia-JADE-HASSOUNE_JILLIAN-FARGEY-SUSAN-GLOVER-JADE-HASSOUNE-PAUL-HOPKINS-and-CARLO-MESTRONI-05.jpg\" data-link=\"https:\/\/centaurtheatre.com\/?attachment_id=9332\" class=\"wp-image-9332\"\/><figcaption class=\"blocks-gallery-item__caption\">In Absentia de Morris Panych, 2012. Jade Hassoun\u00e9 et Jillian Fargey. Photo lucetg.com.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Osler est \u00e9galement fier d\u2019\u00eatre aux c\u00f4t\u00e9s du Centaur pour promouvoir des dramaturges canadiens de premier plan comme Daniel MacIvor (<strong><em>A Beautiful View<\/em><\/strong>, 2011) et Morris Panych (<strong><em>In Absentia<\/em><\/strong>, 2012) ainsi que de nombreux dramaturges qu\u00e9b\u00e9cois que le Centaur a fait d\u00e9couvrir \u00e0 son public anglophone.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/TMP1-standing-MEG-ROE-GRAHAM-CUTHBERTSON-AMELIA-SARGISSON-photo-Yannick-MacDonald-scaled-e1623686831507-1024x819.jpg\" alt=\"\" data-id=\"9344\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/TMP1-standing-MEG-ROE-GRAHAM-CUTHBERTSON-AMELIA-SARGISSON-photo-Yannick-MacDonald-scaled-e1623686831507.jpg\" data-link=\"https:\/\/centaurtheatre.com\/?attachment_id=9344\" class=\"wp-image-9344\"\/><figcaption class=\"blocks-gallery-item__caption\">Graham Cuthbertson et Amelia Sargisson dans The Madonna Painter de Michel Marc Bouchard. Photo Yannick MacDonald, 2010<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/YWRM-8-Jean-Marchand-_photo_Andre\u0301eLanthier-copy.png\" alt=\"\" data-id=\"9388\" data-full-url=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2021\/06\/YWRM-8-Jean-Marchand-_photo_Andre\u0301eLanthier-copy.png\" data-link=\"https:\/\/centaurtheatre.com\/ywrm-8-jean-marchand-_photo_andreelanthier-copy\/\" class=\"wp-image-9388\"\/><figcaption class=\"blocks-gallery-item__caption\">Jean Marchand dans <em>You Will Remember Me <\/em>de Fran\u00e7ois Archambault. Photo Andr\u00e9e Lanthier,\u00a02017<\/figcaption><\/figure><\/li><\/ul><\/figure>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Ensemble, nous avons applaudi de fabuleux talents comme Michel Marc Bouchard (<strong><em>The Madonna Painter<\/em><\/strong>, 2010), Fran\u00e7ois Archambault (<strong><em>You Will Remember Me<\/em><\/strong>, 2017), et plus r\u00e9cemment Catherine-Anne Toupin pour sa pi\u00e8ce percutante, <strong><em>MOB.<\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/centaurtheatre.com\/wp-content\/uploads\/2020\/03\/6_MOB_Matthew-Kabwe-and-Adrianne-Richards_photo-by-Andre\u0301e-Lanthier-1024x684.jpg\" alt=\"a man and a woman with a bottle of alcohol sit on a bench talking\" class=\"wp-image-5515\"\/><figcaption>Matthew Kabwe et Adrianne Richards dans MOB de Catherine-Anne Toupin. Photo Andr\u00e9e Lanthier, 2020.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Nous sommes tr\u00e8s chanceux de compter Osler parmi les membres \u00e9minents de notre \u00e9quipe et nous nous r\u00e9jouissons de pouvoir, pour longtemps encore, pr\u00e9senter un th\u00e9\u00e2tre de qualit\u00e9, pertinent et captivant, gr\u00e2ce \u00e0 la foi in\u00e9branlable d\u2019Osler en notre vision.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Pour contribuer dans le challenge d&rsquo;Osler, cliquez <em><strong><a href=\"https:\/\/centaurtheatre.com\/fr\/soutien\/directors-circle\/\" target=\"_blank\" rel=\"noreferrer noopener\">ici<\/a><\/strong><\/em>!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis 2007, le bureau d\u2019avocats canadien Osler, Hoskin &amp; Harcourt LLP a commandit\u00e9 dix de nos plus grandes productions. Aujourd\u2019hui, Osler souhaite soutenir la reprise des activit\u00e9s en salle du Centaur par l\u2019entremise de la campagne 10 000 $ en 10 jours. Osler \u00e9galera tous les dons faits entre le 18 et le 27 juin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9286,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"class_list":["post-12488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-communique-de-presse"],"acf":[],"_links":{"self":[{"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/posts\/12488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/comments?post=12488"}],"version-history":[{"count":0,"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/posts\/12488\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/media\/9286"}],"wp:attachment":[{"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/media?parent=12488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centaurtheatre.com\/fr\/wp-json\/wp\/v2\/categories?post=12488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}